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Stephen Sondheim's Old FriendsClear view of everything. Facial expressions can be better seen with closer seats, but you can tell who's who from here.Mezzanine CsectionErow118seat -
Death Becomes HerYou could see everything from this position. Sometimes the things at the very front get blocked if the person in front leans forward too much (as in my case).Middle Mezzanine LsectionCrow115seat -
Glengarry Glen RossGreat seat even though it's near the back of the orchestra. Maybe two rows closer would be better to see facial expressions, but this is still great for this production that has larger-than-life actors. Super near the exits and the bathrooms.Orchestra RsectionZrow102seat -
RagtimeSeat is perfect. You see faces, you see choreography, you don't lose anything. Very centered.Mezzanine CsectionBrow114seat -
The CounterGreat view of everything. Small theater so I don't think there's a bad seat in this house.OrchestrasectionLrow10seat -
The Book of MormonSeats are generally cheaper than usual because of the smaller legroom (be warned). Great view though and you can still see everything.Mezzanine RsectionJrow14seat -
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Kimberly AkimboRight next to the speakers but sound is not deafening. Crystal clear view of what's onstage. This musical does not have complex choreography so you don't miss anything sitting way up close. You could see the tears on the actors' faces.Orchestra LsectionCrow9seat -
Little Shop of HorrorsSecond to the last row. Facial expressions are not as visible, but clear view of the sides of the theatre which comes into play during the second act. Is not raised enough for tall people in front to not block your view.Orchestra CsectionRrow108seat -
Sweeney Todd: The Demon Barber Of Fleet StreetGood sight lines. You can clearly see actors' facial expressions. A lot of the action occurs in centre right and downstage right so you have a clear view of all of it. The people in the bridge above are visible.Orchestra LsectionNrow9seat -
Uncle VanyaExcellent seats. Clear view of all action points. The actors normally face all directions and whichever side you're on, you'll miss the facial expression of one of two people talking, but there are no obstructions. Legroom is a bit cramped.Orchestra RsectionHrow505seat -
Orchestra CsectionKrow106seat -
Doubt: A ParableExcellent seat. Right in the middle. You can clearly see the actors and no action is missed. Best seat in the house in my opinion.Orchestra CsectionGrow107seat
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