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The Picture of Dorian GraySitting on the side but getting an aisle seats is a good budget way for a short person to ensure a clear view. This is a small theater so there are no bad seats but the mezzanine is steeply raked, so closer rows than this are of course better.Mezzanine RsectionGrow2seat -
The Picture of Dorian GrayThe theater isn't big and the mezzanine isn't far back, but it is steeply raked so the first few rows up here are best. Depending on the show, Mezzanine rows D can be a good value seat compared to sitting towards the back of the orchestra.Mezzanine CsectionDrow101seat -
The Picture of Dorian GrayGreat views from the first few mezzanine rows, but the rake is steep so the closer the betterMezzanine CsectionArow101seat -
Mezzanine CsectionArow101seat -
Buena Vista Social ClubStage isn't too high. Orchestra isn't very raked so this is a great seat as long as you don't have a super tall person in front of you. Leg room is generous for Broadway.Orchestra CsectionBrow113seat -
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GypsyThis is the front row for Gypsy and you'd think it would be too close but the stage isn't too high so unless you're short it's an excellent seat. Most action in this show is set back behind the orchestra. You're only "looking up" at the performers a few times.Orchestra CsectionBrow111seat -
Stephen Sondheim's Old FriendsSmall, narrow, deep theater. Not many bad views here.Orchestra LsectionFrow111seat -
Floyd CollinsFor Floyd Collins, it pays to be on the left side as close as possible to the stage. That's where Jeremy Jordan spends most of the show, "trapped" in place.Orchestra LsectionHrow101seat -
Floyd CollinsThere are no bad seats in this theater, but for Floyd Collins, you want to sit as close as possible on the left side. That's where Jeremy Jordan spends most of the show, stuck.Orchestra LsectionHrow102seat -
Death Becomes HerNice value seat for this theater. Seat 2 is on the aisle and unobstructed. I recommend this aisle seat, esp. between rows D through L.Orchestra RsectionErow2seat -
Maybe Happy EndingRow A here is set back a bit from the stage, but the Belasco stage is high, so row D or back is my preferred seat here. For Maybe Happy Ending, there are benefits to sitting as center as possible, and toward the middle of Orch C. Rows D-N are all good.Orchestra CsectionErow106seat -
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Glengarry Glen RossThe Palace is an intimate narrow center orchestra with a center aisle. There are no bad orchestra seats in these two center sections. The stage for this production is low and even row AA is set back and not too close.Orchestra LsectionArow103seat -
The OutsidersThe center orchestra at the Jacobs is very wide. If you can get center orchestra, do it.ORCHESTRA CsectionFrow114seat -
Oh, Mary!The Lyceum is a tiny theater and there are no really bad orchestra seats, but if you're going to sit in the side orchestra, it's better to be this far back rather than in the first 4 rows (especially if you're not in the aisle)ORCHESTRA LsectionKrow13seat -
The Beatles LOVEThis is not really a Cirque du Soleil show. Not a lot of talent. More costumes and lights.209sectionProw12seat -
The Beatles LOVEDead center. Expensive, but cheaper than the 2 rows in front. Far from the exit, but there's no intermission, so practically as good as sitting on the opposite side.209sectionProw12seat -
SuffsThe Music Box is a very intimate theater. Hardly a bad seat in the house, though the center orchestra section is quite wide.Orchestra CsectionErow113seat -
Mezzanine CsectionArow103seat
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