Lebanon Opera House
section Orchestra L
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The Days of Wine and RosesThis is the furthest right seat, second to last row of the Orchestra Right section. I thought it would be a terrible view, but (at least for this show) I missed nothing of significance. The mezzanine overhang cuts off the very top of the set, but no action happens there. This seat has quite a bit of legroom, extra floor space to the right of your feet, a right-side railing next to the armrest, no one sitting behind you, and speakers directly above and to the right. As such, this seat was surprisingly good.Orchestra RsectionNrow16seat
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Kiss Me, KateGood sight lines and sound, considering that you are in the rear mezzanine. I could see the entire set, with the exception of the very top level of the set's fire escape, which is almost never used nor essential to any scene. I wouldn't recommend sitting too much further to the right, as sight lines will start to be cut off.Rear Mezzanine RCsectionLLrow108seat
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She Loves MeEven in the rear mezzanine, this seat had a great view. I could see everything, though the sound was a bit garbled due to the poor sound design of Studio 54 (including the lack of an orchestra pit, meaning the band is spread across the box seats). The seats are also a bit tight. However, I still count "She Loves Me" to be amongst the best Broadway experiences I've ever had, so, in retrospect, the seats couldn't have been THAT bad. :-)Rear Mezzanine RCsectionLLrow102seat








