iampaulsteven

iampaulsteven

33 26
  • Belasco Theatre, section: Mezzanine L, row: B, seat: 19
    Maybe Happy Ending
    Overall good seat. Actors faces always in view.
  • James Earl Jones Theatre, section: Orchestra R, row: G, seat: 14
    Left On Tenth
    Good seats. Missed one actor entrance from center stage left, but not a problem at this show.
  • New World Stages - Stage 3, section: Mezzanine R, row: B, seat: 36
    Drag: The Musical
    Comfortable seat. Good view. Smaller stage/venue so everything was easy to see/follow.
  • Hudson Theatre, section: Dress Circle L, row: D, seat: 5
    Once Upon A Mattress
    Good seat. Missed one joke upstage left, but it was fine.
  • New World Stages - Stage 1, section: Orchestra L, row: L, seat: 9
    Teeth
    Small theatre. Great seat.
  • Todd Haimes Theatre, section: Orchestra C, row: L, seat: 108
    Yellow Face
    Great view. Easy to see facial expressions.
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  • Orpheum Theater, New York, section: Main, row: L, seat: 10
    The Big Gay Jamboree
    Good view. Seats start to rise in Row J, so there aren't heads blocking view unless you are shorter than 5'6".
  • Lyceum Theatre, Broadway, section: Orchestra R, row: O, seat: 18
    Oh, Mary!
    Far aisle seat. Could see everything on stage except for a set of bookcases. Feels closer than it looks. I was able to see all actors clearly.
  • James Earl Jones Theatre, section: Orchestra L, row: M, seat: 11
    The Heart of Rock and Roll
    Great seat. Shoulder width is tight. Let room was fine. Clear sight lines.
  • Vivian Beaumont Theater, section: Orchestra L, row: M, seat: 111
    Camelot
    Lottery ticket...good overall seat. Felt close to all of the action. Miss some entrances but not a big deal.
  • Nederlander Theatre, section: Mezzanine R, row: K, seat: 18
    Shucked
    Good view of the stage. Didn't miss any action on the second story of the set. Shoulder room tight. Leg room is abysmal.
  • Booth Theatre, section: Orchestra R, row: H, seat: 2
    Kimberly Akimbo
    On the aisle. Perfect view.
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  • Music Box Theatre, section: Mezzanine C, row: H, seat: 113
    Bob Fosse's Dancin'
    Great seat. One off the aisle. Decent leg room. Clear sight lines. Should room a little tight.
  • Music Box Theatre, section: Mezzanine Center, row: H, seat: 113
    Bob Fosse's Dancin'
    Great seat. One off the aisle. Decent leg room. Clear sight lines. Should room a little tight.
  • Todd Haimes Theatre, section: Mezzanine, row: E, seat: 114
    Fat Ham
    Close to center of the row. It's a long row, so handle your business before the show. You will piss people off if you try to get up during the performance. Stadium seating is a huge plus.
  • Imperial Theatre, section: Rear Mezzanine C, row: F, seat: 308
    Bad Cinderella
    Great view. Good shoulder room. Very tight leg room.
  • Hudson Theatre, section: Balcony R, row: H, seat: 6
    A Doll's House
    Last row of the balcony. Great sight lines, but it was difficult to make out facial expressions. Seats felt roomy.
  • Al Hirschfeld Theatre, section: Mezzanine L, row: Q, seat: 21
    Moulin Rouge
    Surprisingly good seat considering how far up and back we were. No issues seeing facial expressions and all of the action on stage. Had to lean forward a bit to see the very front of the stage when the dancers do the can-can.
  • Ambassador Theatre, section: Orchestra L, row: J, seat: 19
    Chicago
    Great location. Miss some of the company reactions on the side, but see all of the main stage action. We were four guys in a row. Shoulder room was a bit tight. Overall, great rush seat.
  • Studio 54, section: Front Mezzanine C, row: DD, seat: 116
    Pictures From Home
    Great view. Shoulder room and leg room tight but not bad. Be prepared to maneuver into the row. There's an skewed railing/step combination.
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