Great View. Intimate with the cast. Stage is low compared to seats you're not looking up!

Great seats! Up close and personal with the cast and a couple of interactive moments. Nice legroom even though up against stage. Intimate venue. All seats are good.

This a small room so all seats are good. Very intimate. You don't *need* to be in the front row for Puffs but if you are there's a couple moments of interaction with the cast.

Great seats! Closer than the picture looks. First row of the elevated orchestra section so you have a clear view of the stage with no looking over heads. No mezzanine overhang - you can see the chandelier and the action in the rafters.

Very good seats for Phantom as many of the scenes play to this side. First row of the elevated orchestra section so you have a clear view with no looking over heads. No mezzanine overhang - you can see the chandelier and the action in the rafters.

Front row is great for taking in the spectacle of the show, but too far away to see the actors' faces and subtleties. This is a huge theatre, there is no intimacy beyond the first 10 rows of Orchestra. It's all about what you want. The truss covers in front do not impede the view of the stage, but you can't forget that they're there. Seats are roomy enough but the front wall is tight so there's not a lot of legroom.

Front row is great for taking in the spectacle of the show, but too far away to see the actors' faces and subtleties. This is a huge theatre, there is no intimacy beyond the first 10 rows of Orchestra. It's all about what you want. The truss covers in front do not impede the view of the stage, but you can't forget that they're there. Seats are roomy enough but the front wall is tight so there's not a lot of legroom.

High and steep. This is the last row that backs up to spotlight booth but there are wing seats behind and to the left so you can't stand up without obscuring someone's view behind you. There is a stage extension around the orchestra pit that is obscured by the front of the mezzanine. Plus there's a pole that obscures the left side of the stage. Don't pay any more than you have to for these seats.

This is the last row in the mezzanine. Middle of the row. The seats are tiered so you don't have heads blocking your view. The Dear Evan Hansen "digital interactive" set is amazing and you have a birds eye view of it, though some of the projections look off because of line of sight. These are great seats for the money

I thought that these were going to be "too close" but the stage is really low and at eye level with the audience. And for a show like Chicago, that's just right - up close and personal. Don't be afraid to go to the front at the Ambassador. These are great great seats.

Not a bad seat at all. Good value for the price.

Seats are wider and have more legroom than many of the other Broadway theatres.

Seats are closer than they appear in the photo.

Seats are wider and have more legroom than many of the other Broadway theatres.

Not a bad seat in this theatre. Very intimate. Decent legroom.

Very good seats on the aisle. You can spend more for the closer floor seats but these are great for the price. Elevated so you can see down on the stage with no obstructions (except for reeally tall guy in front of us 6'5"). We had no trouble seeing the actors facial expressions.