Broadway Lilly

Broadway Lilly

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  • Lunt-Fontanne Theatre, section: Rear Mezzanine L, row: B, seat: 5
    Death Becomes Her
    We were a group of three and sat in seats B3, B5, and B7. Overall, the view was absolutely perfect from all three seats—clear and with no obstructions.nnIn terms of legroom, seat B7 had the best space, with plenty of room to stretch out comfortably. I sat in B5, and my knees were pretty close to the seat in front of me (I'm 5'2"). My daughter sat in B3, and at 5'7", her knees were right up against the seat ahead of her. So just a heads-up if legroom is important.nnWe did notice a cold breeze throughout the show—not sure if it was the AC or just a draft, but it was definitely noticeable, especially in November.nnAside from that, the sound quality was great, the seats were comfortable, and the play itself was fantastic. Overall, a great experience with excellent views, just be mindful of the legroom and possible draft.
  • Al Hirschfeld Theatre, section: Mezzanine C, row: P, seat: 109
    Moulin Rouge
    Not the best seats as far as getting a good view of the runway extension. Even when leaning forward, it was hard to see the action. For this play, I highly recommend you splurge and buy orchestra/can can seats. The seats themselves were comfortable. There was a gentleman sitting next to me who was at least 6 feet tall and he seemed to have leg room. The play itself was great. Everything from the music, set to the singing and production was incredible. Reminded me of And Juliet. The play worth seeing and 5 stars. The seats, 3 stars because of the limited view.
  • Stephen Sondheim Theatre, section: Mezzanine C, row: FF, seat: 104
    & Juliet
    The play itself is a must see. It was nothing short of spectacular from start to finish. Vibrant, high energy that blended modern pop music with a very interesting twist on Romeo and Juliet. The seats were a bit uncomfortable and felt tight for me and I'm 5'2". I imagine taller people might feel even more cramped. The theater also felt cold- perhaps due to the vents under the seats, as the cold air kept coming through. I was there in February. Maybe the summer months are comfortable. The views from these seats was excellent. I would recommend sitting as close to the center whether mezzanine or orchestra so you don't miss the side action.
  • MARQUIS THEATRE, section: Mezzanine L, row: C, seat: 25
    The WIZ
    Great view. Large and modern theatre. Plenty of leg room.
  • Lena Horne Theatre, section: Front Mezzanine L, row: A, seat: 9
  • St. James Theatre, section: Orchestra R, row: A, seat: 12
    Frozen
    Can't recommend these seats. Ticketmaster said partial view. Other reviewers said not too bad. It sucked!!!!! I'm a mezzanine row A girl. I took a chance with these seats 'cause at $57 it didn't seem like a bad deal. I couldn't see anything to the right of the stage or anything on top of the stage. And you do miss a lot!! The only good thing was being up close to the stage allowed for seeing the characters really close. But not worth it. For this performance I highly recommend, if you really want to do orchestra section, do center from Row B and back. Going back to my mezzanine seats. The play by the way was awesome.
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  • Gerald Schoenfeld Theatre, section: orchestra r, row: R, seat: 26
    Come From Away
    If you are short, the seat offers limited viewing to the stage.
  • Broadway Theatre - 53rd Street, section: Front Mezzanine R, row: A, seat: 7
  • Longacre Theatre, section: Mezzanine L, row: A, seat: 18
    The Prom
    Seats are comfortable and adequate leg room.
  • Broadway Theatre - 53rd Street, section: Front Mezzanine L, row: A, seat: 8
  • Eugene O'Neill Theatre, section: Mezzanine L, row: D, seat: 25
    The Book of Mormon