• St. James Theatre, section: Mezzanine L, row: K, seat: 1
    Sunset Boulevard
    Generally a good set plus on the aisle. You see everything, a tiny bit far but not too bad. The hand rail on the side can block a few things but just need at adjust your head as needed.
  • Barrymore Theatre, section: Rear Mezzanine R, row: D, seat: 14
    Our Town
    Very good seat for the mezz. Very clear views of everything. Good value for the money too.
  • Booth Theatre, section: Mezzanine L, row: G, seat: 17
    The Roommate
    On the aisle. Second to last row but totally fine view. Theater is so small and it’s nice to have some leg room to stretch.
  • Mainstage at the New York City Center, section: Mezzanine C, row: J, seat: 101
    Titanic
    Really far back and quite hard to make out faces. The top of the stage is eclipsed by the balcony overhang. Giving it two stars only because you’re on the aisle but if there are slightly better seats available for a little more money, buy them.
  • Samuel J. Friedman Theatre, section: Orchestra L, row: D, seat: 115
    Mary Jane
    Despite the head in front, very clear sight line to the stage
  • Duke of York's Theatre, section: Royal circle, row: A, seat: 1
    Romeo and Juliet
    You might miss a little action on the left but still a great seat and leg room plus on the aisle.
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  • Broadway Theatre - 53rd Street, section: Front Mezzanine L, row: A, seat: 10
    The Great Gatsby
    Excellent seat. Great view, great legroom. Slightly off to the side so there’s a very minimal amount of action on the far side of the stage you miss but it’s inconsequential to the plot.
  • Music Box Theatre, section: Orchestra L, row: G, seat: 5
    Suffs
    Great seat. Very comfortable chair. Slightly tight legroom but far from a dealbreaker.
  • August Wilson Theatre, section: Kit Kat Klub Mezzanine 4, row: E, seat: 228
    Cabaret
    This was the mezz that was built for this production. Was the last row of that mezz in the middle. Great seat. You’re closer to the stage than the traditional mezz. Close to stage. Comfy (new) seat.
  • John Golden Theatre, section: Rear Mezzanine L, row: D, seat: 127
    Stereophonic
    Have sat in this seat for other productions. Usually pretty good but for this performance, you miss some action on the left side of the stage as well as some of the action in the recording studio, which is a little annoying. tight legroom, but on aisle.
  • St. James Theatre, section: Mezzanine C, row: H, seat: 108
    Illinoise
    Good view assuming no one tall is in your line of sight, which for me was the case which made me miss some of the action at the very front of the stage. Also your smacking in the middle of the row.
  • Barrymore Theatre, section: Orchestra C, row: N, seat: 111
    Patriots
    Great seat even if slightly back in the orch. Theater slopes down so really minimal potential of a blocked view. Dude in front was super tall and had a big head and even then I could see with no problem.
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  • Hayes Theater, section: Mezzanine R, row: E, seat: 2
    Mother Play
    Great seat. On the aisle. Could see everything except for 25 seconds of inconsequential action. Clear view of actors faces.
  • Vivian Beaumont Theater, section: Loge RC, row: E, seat: 413
    Uncle Vanya
    The theater is in the round so while this was in the last row the seat isn’t bad. Harder to see the facial expressions but you see all the action and the view is fine. Plus, you can see what seats are open to skip down during act 2 :)
  • Todd Haimes Theatre, section: Mezzanine, row: D, seat: 101
    Doubt: A Parable
    Slightly high up but definitely not bad. You miss the full view of the stage being how close to the aisle you are.
  • Imperial Theatre, section: Rear Mezzanine RC, row: F, seat: 410
    Water For Elephants
    High up and far back. Can’t see expressions but a full view of the entire stage. If someone tall sits in front of you, your view will be limited
  • Lucille Lortel Theatre, section: Orchestra R, row: B, seat: 2
    Oh, Mary!
    Not a bad seat in this theater
  • Lunt-Fontanne Theatre, section: Orchestra C, row: U, seat: 111
    Sweeney Todd: The Demon Barber Of Fleet Street
    Tip top of the stage was slightly obstructed but you don’t miss anything. Could see actors, just far back. Would sit here again though.
  • Neil Simon Theatre, section: Mezzanine L, row: L, seat: 1
    MJ: The Musical
    Great seat. On the aisle. Really no obstructions. Would actively choose to sit here again.
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