2026 Baseball Roadtrips
classicalvirtue

classicalvirtue

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  • Lunt-Fontanne Theatre, section: Orchestra R, row: T, seat: 4
    Sweeney Todd: The Demon Barber Of Fleet Street
    Great seat, no obstructions even with mezzanine overhang. Relatively far back but does not obstruct impact of performances or any of the sightlines.
  • Eugene O'Neill Theatre, section: Box L, row: B, seat: 5
    The Book of Merman
    Mostly unobstructed view of the stage aside from a few things upstage right. Audio doesn't feel totally centered at times (for good reason) but is overall fine. View is contingent on who is sitting in front of you and where they are leaning.
  • James Earl Jones Theatre, section: Orchestra R, row: C, seat: 5
    The Sign In Sidney Brustein's Window
    Good sightlines. Had I been any further right I think it would have been obstructed view for action on stage left. Close to actors but not super close due to raised stage. Glad I was not any closer.
  • Lucille Lortel Theatre, section: Orchestra C, row: F, seat: 101
    The Knight of the Burning Pestle
    Great seat on the aisle, close to the stage, unobstructed. Very intimate and lovely off-Broadway house. Seat width and leg room is adequate/average.
  • Studio 54, section: Orchestra C, row: C, seat: 117
    Pictures From Home
    Great seat, unobstructed (unless someone tall is in front of you as this theatre does not appear to be raked). Close to the actors, can see their expressions vividly. Lots of leg room but seats are narrow.
  • Longacre Theatre, section: Orchestra R, row: D, seat: 5
    Leopoldstadt
    Great seat close to the actors to take in their incredible performances. Nothing of significance obstructed as most actors perform downstage. Seats are comfortable with good leg room.
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  • Miller Theater, section: Family Circle C, row: A, seat: 109
    Into The Woods
    Very far back, bar obstructing the view in row A, had to sit slouched to see actors underneath bar, could present a big problem for someone very short/a child. Theatre in dire need of renovation.
  • Shubert Theatre, section: Mezzanine C, row: C, seat: 113
    Some Like It Hot
    Doesn't get much better than this. Full view of the stage and unobstructed. Great sound. Only neg was narrow leg room than ideal.
  • Vivian Beaumont Theater, section: Orchestra L, row: F, seat: 107
    Camelot
    Totally unobstructed, very close to the action.
  • Nederlander Theatre, section: Orchestra R, row: P, seat: 28
    Shucked
    Almost completely unobstructed, aside from some stage left (right hand side) action with a prop/stage piece at the beginning of the show and at the end. Theatre feels smaller than photo represents. Mezzanine overhang doesn't present any issues.
  • Walter Kerr Theatre, section: Orchestra R, row: C, seat: 2
    Hadestown
    Great unobstructed seat, though the stage fog is a little intense at times.
  • Marquis Theatre, section: Orchestra R, row: B, seat: 2
    Beetlejuice
    Fabulous seat at the Marquis. Up close to the action, but not direct center. Able to make out the expressions on the performer's faces and not obstructed in any way.
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  • Stephen Sondheim Theatre, section: Mezzanine L, row: EE, seat: 9
    & Juliet
    Completely unobstructed view of the stage and all that action. Seats are kind of tight, but other than that, great seat, can't recommend it more. "Won" through TodayTix rush.
  • August Wilson Theatre, section: Orchestra C, row: B, seat: 112
    Funny Girl
    Incredible seat. At times made eye contact with Julie Benko (Fanny Bryce lead u/s) several times throughout the show. Far enough back that it's not too overwhelming.
  • Gershwin Theatre, section: Orchestra R, row: DD, seat: 10
    Wicked
    Obstructed view seat, sometimes miss some of the action on stage left (right hand side) or upstage. Can also see backstage action on the wings (stage right), so not recommended for people who haven't seen the show. Great value though.
  • Classic Stage Company, section: 200, row: E, seat: 209
    Assassins
    Great unobstructed view, could see all the action. Not a bad seat in the house.
  • Circle in the Square Theatre, section: Orchestra 100 (Odd), row: J, seat: 103
    American Buffalo
    Great sightlines directly facing the stage, unobstructed, just a little further back.
  • Bernard B. Jacobs Theatre, section: Orchestra L, row: O, seat: 3
    Company
    Unobstructed view of all the action going on stage, easy to get in and out of seat. Below the mezzanine overhang but did not impact the viewing experience.
  • Marquis Theatre, section: Orchestra L, row: E, seat: 10
    Beetlejuice
    Great seat and value, close to the stage, can make out lots of actor's expressions, slightly side view but no obstructions.
  • Hollywood Pantages Theatre, section: Orchestra C, row: PP, seat: 112
    Hamilton
    Great view, full view of what was going on stage with no obstructions
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