classicalvirtue

classicalvirtue

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  • St. James Theatre, section: Mezzanine C, row: Q, seat: 20
    Monty Python's Spamalot
    Technically no obstructions (unless the person in front of you is tall) but it's so far from the action that you do feel pretty out of the loop. Balcony overhang can make it feel a bit claustrophobic. Lottery win so didn't pay a lot/good on a budget.
  • Booth Theatre, section: Mezzanine R, row: A, seat: 13
    Kimberly Akimbo
    Front "bar" is relatively high but does not obstruct any of the action on stage once the show begins, as none of the performances occur upstage. Kids might need a booster.
  • Lunt-Fontanne Theatre, section: Orchestra R, row: T, seat: 4
    Sweeney Todd: The Demon Barber Of Fleet Street
    Great seat, no obstructions even with mezzanine overhang. Relatively far back but does not obstruct impact of performances or any of the sightlines.
  • MetLife Stadium, section: 117, row: 4, seat: 15
    Taylor Swift tour: The Eras Tour
    Picture is not zoomed in. No obstructions. Overall great perspective of the stadium and the main event.
  • Eugene O'Neill Theatre, section: Box L, row: B, seat: 5
    The Book of Merman
    Mostly unobstructed view of the stage aside from a few things upstage right. Audio doesn't feel totally centered at times (for good reason) but is overall fine. View is contingent on who is sitting in front of you and where they are leaning.
  • James Earl Jones Theatre, section: Orchestra R, row: C, seat: 5
    The Sign In Sidney Brustein's Window
    Good sightlines. Had I been any further right I think it would have been obstructed view for action on stage left. Close to actors but not super close due to raised stage. Glad I was not any closer.
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  • Lucille Lortel Theatre, section: Orchestra C, row: F, seat: 101
    The Knight of the Burning Pestle
    Great seat on the aisle, close to the stage, unobstructed. Very intimate and lovely off-Broadway house. Seat width and leg room is adequate/average.
  • Studio 54, section: Orchestra C, row: C, seat: 117
    Pictures From Home
    Great seat, unobstructed (unless someone tall is in front of you as this theatre does not appear to be raked). Close to the actors, can see their expressions vividly. Lots of leg room but seats are narrow.
  • Longacre Theatre, section: Orchestra R, row: D, seat: 5
    Leopoldstadt
    Great seat close to the actors to take in their incredible performances. Nothing of significance obstructed as most actors perform downstage. Seats are comfortable with good leg room.
  • Miller Theater, section: Family Circle C, row: A, seat: 109
    Into The Woods
    Very far back, bar obstructing the view in row A, had to sit slouched to see actors underneath bar, could present a big problem for someone very short/a child. Theatre in dire need of renovation.
  • Shubert Theatre, section: Mezzanine C, row: C, seat: 113
    Some Like It Hot
    Doesn't get much better than this. Full view of the stage and unobstructed. Great sound. Only neg was narrow leg room than ideal.
  • Vivian Beaumont Theater, section: Orchestra L, row: F, seat: 107
    Camelot
    Totally unobstructed, very close to the action.
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  • Nederlander Theatre, section: Orchestra R, row: P, seat: 28
    Shucked
    Almost completely unobstructed, aside from some stage left (right hand side) action with a prop/stage piece at the beginning of the show and at the end. Theatre feels smaller than photo represents. Mezzanine overhang doesn't present any issues.
  • Vivian Beaumont Theater, section: Orchestra C, row: J, seat: 311
    Mike Birbiglia tour: The Old Man and the Pool
  • Walter Kerr Theatre, section: Orchestra R, row: C, seat: 2
    Hadestown
    Great unobstructed seat, though the stage fog is a little intense at times.
  • Marquis Theatre, section: Orchestra R, row: B, seat: 2
    Beetlejuice
    Fabulous seat at the Marquis. Up close to the action, but not direct center. Able to make out the expressions on the performer's faces and not obstructed in any way.
  • Stephen Sondheim Theatre, section: Mezzanine L, row: EE, seat: 9
    & Juliet
    Completely unobstructed view of the stage and all that action. Seats are kind of tight, but other than that, great seat, can't recommend it more. "Won" through TodayTix rush.
  • August Wilson Theatre, section: Orchestra C, row: B, seat: 112
    Funny Girl
    Incredible seat. At times made eye contact with Julie Benko (Fanny Bryce lead u/s) several times throughout the show. Far enough back that it's not too overwhelming.
  • Gershwin Theatre, section: Orchestra R, row: DD, seat: 10
    Wicked
    Obstructed view seat, sometimes miss some of the action on stage left (right hand side) or upstage. Can also see backstage action on the wings (stage right), so not recommended for people who haven't seen the show. Great value though.
  • Classic Stage Company, section: 200, row: E, seat: 209
    Assassins
    Great unobstructed view, could see all the action. Not a bad seat in the house.
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