classicalvirtue

classicalvirtue

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  • Cafe Carlyle, section: Bar
    Aaron Tveit
    Bar seat at the Café Carlyle (3rd from the door where the artists enter in and out of). Extremely intimate venue. Would sit at the bar again as it offers a great perspective over everyone's heads.
  • PAC NYC, section: Upper Balcony, row: R, seat: 304
    Cats: The Jellicle Ball
    You are definitely at the highest point in the theatre and can feel the distance; you will also likely need to lean forward most of the show, especially the cats make appearances throughout the audience. Good value for price though.
  • Samuel J. Friedman Theatre, section: Orchestra R, row: M, seat: 113
    Mary Jane
    Intimate theatre, unobstructed
  • August Wilson Theatre, section: Kit Kat Klub Mezzanine 2, row: M, seat: 1
    Cabaret
    Fantastic seat, great sightlines and sound, feels closer than looks in photo.
  • Mainstage at the New York City Center, section: Mezzanine L, row: H, seat: 107
    Titanic
    Balc overhang does not impact sightlines, but you will see the top of the heads from the mezzanine section in front of you. Sound is great. Bar is not obstructing. Great feet room. Can make out facial expressions but feel far away.
  • St. James Theatre, section: Orchestra L, row: G, seat: 13
    Monty Python's Spamalot
    Great seat. Side view of the stage but no obstructions. Great sound. Average leg room (5'7") and seat width. Very little rake in theatre so could be problematic if person in front of you is taller.
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  • Lunt-Fontanne Theatre, section: Front Mezzanine C, row: B, seat: 106
    Sweeney Todd: The Demon Barber Of Fleet Street
    Sightline and (musical) sound wise it was fantastic. Great leg room. Unfortunately the spotlight crew in the catwalk above the section were extremely distracting the entire show, whispering and mumbling even in quiet moments. Extreme disappointment.
  • Lunt-Fontanne Theatre, section: Middle Mezzanine RC, row: F, seat: 128
    Sweeney Todd: The Demon Barber Of Fleet Street
    Direct view, no obstructions (unless person in front of you is tall), can still make out facial expressions, great sound, OK leg room.
  • Lunt-Fontanne Theatre, section: Rear Mezzanine LC, row: L, seat: 105
    Sweeney Todd: The Demon Barber Of Fleet Street
    Super far back, but no sightline issues unless the person in front of you is tall/obstructing. Sound is great. Leg room OK. Can't make out facial expressions.
  • Lunt-Fontanne Theatre, section: Orchestra R, row: R, seat: 16
    Sweeney Todd: The Demon Barber Of Fleet Street
    Totally unobstructed. Great sound. OK leg room.
  • Lunt-Fontanne Theatre, section: Orchestra C, row: A, seat: 107
    Sweeney Todd: The Demon Barber Of Fleet Street
    Lotto win. Stage is very high so last scene is difficult if not impossible to see, but incredible experience to be so close to performers through so many numbers. 5 stars for having seen the show already, 4 stars if you haven't seen it. Great leg room.
  • Richard Rodgers Theatre, section: Orchestra C, row: P, seat: 109
    Hamilton
    Sublime.
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  • Lunt-Fontanne Theatre, section: Orchestra L, row: M, seat: 13
    Sweeney Todd: The Demon Barber Of Fleet Street
    Terrific seat. No sightline issues, full view of the stage. Great sound. Limited feet room and seat is a bit narrow, but still not that much of an issue.
  • Lunt-Fontanne Theatre, section: Orchestra L, row: P, seat: 17
    Sweeney Todd: The Demon Barber Of Fleet Street
    Great seat, close to exit on the aisle, great leg room and comfortable, good sound, no obstructions, slightly raked.
  • Playhouse 46 at St. Luke's, section: Orchestra, row: B, seat: 113
    Make Me Gorgeous!
    Full view of stage, very intimate black box theatre, no obstructions.
  • Lunt-Fontanne Theatre, section: Orchestra L, row: B, seat: 1
    Sweeney Todd: The Demon Barber Of Fleet Street
    I wouldn't recommend this seat for anyone who hasn't seen the show, but it is a great seat if you are a returning visitor. VERY close to the performers, esp during key musical numbers. Some parts almost or nearly full obstructed. Get a booster.
  • Greenwich House Theater, section: Orchestra, row: A, seat: 6
    Eddie Izzard
    Amazing show with an even more amazing show. Theatre isn't raked so being this close was wonderful. Lots of feet room.
  • Lunt-Fontanne Theatre, section: RBOXA, row: A, seat: 3
    Sweeney Todd: The Demon Barber Of Fleet Street
    Wonderful seat. Only a few moments obstructed when an actor stands too far stage left on the top level (obstructed by the crane). Happens 2 minutes tops through most of the show as most of it is performed downstage. Can't recommend enough.
  • New World Stages - Stage 5, section: Orchestra, row: G, seat: 19
    The Life and Slimes of Marc Summers
    Very intimate black box theatre. Not a bad seat in the house. Seat is on the aisle and theatre is very slightly raked. Only complaint is seats are narrow and limited foot space.
  • Lunt-Fontanne Theatre, section: Orchestra C, row: Z, seat: 114
    Sweeney Todd: The Demon Barber Of Fleet Street
    Not a bad viewing experience at all. Direct view of stage. Mezzanine overhang does not impact viewing experience. Theatre is slightly raked in the back which improves sightlines. Sat in a wheelchair companion chair outside of the aisle.
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