2026 Baseball Roadtrips
benorr

benorr

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  • Hudson Theatre, section: Dress Circle C, row: D, seat: 113
    Merrily We Roll Along
    This theatre is much more intimate than seating charts make it seem, so row D was actually excellent. Could see facial expressions and saliva.
  • St. James Theatre, section: Orchestra R, row: J, seat: 18
    Illinoise
    Awful choice of seat. Though not apparent in this photo, most of the performance was obstructed by heads in front of us. Would not sit in such a flat orchestra ever again. The musicians on stage left were also invisible due to the sound equipment
  • Romulus Linney Courtyard Theater, section: Tier 1, row: A, seat: 103
    Three Houses
    Wonderfully immersive and incredible intimate. There were several occasions where each cast member was close enough to touch.
  • Belasco Theatre, section: Orchestra R, row: K, seat: 6
    Appropriate
    Great view. Fine angle that doesn't negatively affect viewing at all. Could have spent less for seats further back; faces would have been visible from there too!
  • Gerald Schoenfeld Theatre, section: Mezzanine R, row: D, seat: 6
    The Notebook
    Great view, however the bottom tip of the stage is obstructed by the front of the mezzanine. Not an issue for this show, but it is worth mentioning.
  • John Golden Theatre, section: Front Mezzanine L, row: B, seat: 107
    Stereophonic
    Outstanding view for this show. Very intimate theatre. Nothing obstructed
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  • August Wilson Theatre, section: Kit Kat Klub Mezzanine 3, row: B, seat: 10
    Cabaret
    Original mezzanine. Great, immersive view for this show. The railing doesn't obstruct the view at all.
  • Samuel J. Friedman Theatre, section: Orchestra L, row: C, seat: 113
    Mary Jane
    Perfect view and seat. No issues at all. Well worth the money for this breathtaking show
  • Nederlander Theatre, section: Mezzanine R, row: B, seat: 2
    The Who's Tommy
    Legroom isn't great, but aisle seat sure helps. View is otherwise great
  • Toni Rembe Theater, section: Orchestra, row: G, seat: 111
    A Strange Loop
    Perfect view. No notes whatsoever. Slightly cheaper than the few rows behind, too. Go see this show!!
  • Curran Theater, section: Orchestra R, row: F, seat: 10
    Harry Potter and the Cursed Child
    Stage is high, but nothing felt obstructed at all. Would sit at again (especially for the price of $59)
  • Eccles Theater, section: T1 Right, row: C, seat: 127
    Dear Evan Hansen
    Great view from here. No complaints.
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  • Eccles Theater, section: T1 Left, row: B, seat: 130
    Hadestown
    Wide angle lens makes stage appear much further away. Still felt plenty immersed in the show from this distance. Would sit again
  • Velma V. Morrison Center for the Performing Arts, section: ORCH, row: C, seat: 8
    Hadestown
    This was the perfect seat. Would sit here 100 more times. Didn't hurt my neck to look up at the stage
  • Orpheum Theatre, San Francisco, section: Orchestra RC, row: R, seat: 114
    Hadestown
    Overall a fine view. Would have liked to sit closer for added immersion, but still good
  • Eccles Theater, section: Orchestra R, row: R, seat: 113
    Les Miserables
    Angle isn't too harsh, distance is fine too. Neither are perfect either, but no regrets for the price
  • Eccles Theater, section: Orchestra R, row: N, seat: 7
    The Band's Visit
    Great center view, could see everything clearly
  • Eccles Theater, section: Orchestra L, row: B, seat: 15
    Hamilton
    Lottery seat. Incredible to be this close. Could see all the little acting details that aren't visible from farther away
  • Bernard B. Jacobs Theatre, section: MEZZANINE L, row: B, seat: 5
    Parade
    Perfect seat, no complaints at all
  • Lunt-Fontanne Theatre, section: Front Mezzanine L, row: B, seat: 13
    Sweeney Todd: The Demon Barber Of Fleet Street
    A bit of an angle, facial expressions no problem either
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