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& JulietDid the Rush on TodayTix for an 8pm show on a Wednesday. Very very very close to the stage. Your neck will hurt a little. I personally don’t like being this close to the actors.Orchestra CsectionCrow114seat -
Here Lies LoveOn the aisle and next to the stairs. This theater was specifically transformed into an immersive space. Actors come up to the mezzanine. The projection on the right side blocks most of the stage. However, the projection doesn’t block the disco ball area.Rear Mezzanine RCsectionArow21seat -
Back To The FutureGot this seat/ticket on the day of performance (matinee) at 10am at the box office. Third seat in and and second to last row of the right orchestra. Can see facial expressions. Full view of the stageOrchestra RsectionUrow6seat -
Singin' in the RainTook this photo standing up. Center of the orchestra. No obstructions. Can see facial expressions. Second to the last row of the house.CentersectionXrow106seat -
EvitaOn the aisle. Can see facial expressions. Slight obstructions but nothing major. Much closer in personZone BsectionFrow1seat -
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Sweeney Todd: The Demon Barber Of Fleet StreetSecond to last row of the rear mezzanine. Tight legroom but the sound is amazing. Can barely see facial expressions. The set cuts some of the scenes and actor’s faces off. Much closer in person.Rear Mezzanine LCsectionMrow121seat -
The Light in the PiazzaVery close to the stage. Can see facial expressions. Left side of the stage is cut off but otherwise full view of the stage. I recommend this seat very much.Mezzanine LsectionDrow11seat -
Once Upon A One More TimeLast row of the mezzanine. Full view of the stage. Aisle seat. Can barley see facial expressions but I loved this view. Much closer in personMezzanine RsectionLrow2seat -
ShuckedSlight obstruction from the speakers on the stage. Otherwise, great view of the stage. Can see facial expressions very well. Second seat in from the right.Orchestra RsectionMrow22seat -
Prima FacieFull view of the stage. No obstructions at all. On the aisle seat. Leg room is a little tight. For this play particular, you can sometimes see Jodie Comer’s facial expressions.Rear Mezzanine LsectionGrow101seat -
Wet BrainOn the aisle. Great leg room. Full view of the stage. Very intimate theatre so there is no bad seat in the theatre.Right OrchestrasectionLrow1seat -
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The Sign In Sidney Brustein's WindowRush Ticket. On the aisle. Can see facial expressions. I moved to a different seat during intermission because my neck was hurting. For this play/production, mezzanine overhang blocks the banner and actors standing on top of the apartment.Orchestra LsectionOrow23seat -
The Sign In Sidney Brustein's WindowI got a rush ticket 45 minutes before a Saturday matinee. You have to look up all the time. Full view of the stage. For this production/play, there is no obstructions blocking the actors.Orchestra LsectionBrow11seat -
Monty Python's SpamalotA very small obstruction of the stage. Cannot see the projection. Full view on the sides. Can barely see facial expressions. Great sound horrible leg room. Mezzanine/Balcony is pretty small.Balcony RsectionDrow6seat -
Good Night, OscarSpeaker cuts just a little off the view, otherwise pretty good view. Can see facial expressions.Right OrchestrasectionNrow26seat -
Orchestra RsectionWrow18seat -
Sweeney Todd: The Demon Barber Of Fleet StreetOn the aisle. Can see facial expressions. Mezzanine overhang cuts off the scenery but doesn’t cut off any action. Otherwise, full view on both sides of the stage.Orchestra RsectionWrow18seat -
Kimberly AkimboWon the lottery for a Saturday evening performance on May 13. Very slight slight obstruction on the right but can see facial expressions clearly well. Center of the right orchestraOrchestra RsectionGrow10seat
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